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Bulfinch's Mythology is a collection of general audience works by American Latinist and banker Thomas Bulfinch, named after him and published after his death in 1867. The work was a highly successful popularization of Greek mythology for English-speaking readers. Carl J. Richard comments that it was "one of the most popular books ever published in the United States and the standard work on classical mythology for nearly a century". The book is a prose recounting of myths and stories from three eras: Greek and Roman mythology, King Arthur legends and medieval romances. Bulfinch intersperses the stories with his own commentary, and with quotations from writings by his contemporaries that refer to the story under discussion. This combination of classical elements and modern literature was novel for his time.

Stephen Crane was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.

Joseph Rudyard Kipling was an English journalist, short-story writer, poet, and novelist. He was born in India, which inspired much of his work. Kipling in the late 19th and early 20th centuries was among the United Kingdom's most popular writers Henry James said, "Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known." In 1907, he was awarded the Nobel Prize in Literature, as the first English-language writer to receive the prize, and at 41, its youngest recipient to date. He was also sounded for the British Poet Laureateship and several times for a knighthood, but declined both.

Prosper Mérimée was an important French writer in the school of Romanticism, and one of the pioneers of the novella, a short novel or long short story. He was also a noted archaeologist and historian, and an important figure in the history of architectural preservation. He is best known for his novella Carmen, which became the basis of Bizet's opera Carmen. He learned Russian and translated the work of several important Russian writers, including Pushkin and Gogol, into French.

Alexander Sergeyevich Pushkin was a Russian poet, playwright, and novelist of the Romantic era who is considered by many to be the greatest Russian poet and the founder of modern Russian literature.

He published his first poem at the age of 15, and was widely recognized by the literary establishment by the time of his graduation from the Tsarskoye Selo Lyceum. Upon graduation from the Lycee, Pushkin recited his controversial poem "Ode to Liberty", one of several that led to his being exiled by Tsar Alexander the First. While under the strict surveillance of the Tsar's political police and unable to publish, Pushkin wrote his most famous play, the drama Boris Godunov. His novel in verse, Eugene Onegin, was serialized between 1825 and 1832.

Pushkin was fatally wounded in a duel with his brother-in-law, Georges-Charles de Heeckeren d'Anthès, also known as Dantes-Gekkern, a French officer serving with the Chevalier Guard Regiment, who attempted to seduce the poet's wife, Natalia Pushkina.

Hans Christian Andersen was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, he is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories express themes that transcend age and nationality.

Andersen's fairy tales, of which no fewer than 3381 works have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. His most famous fairy tales include "The Emperor's New Clothes," "The Little Mermaid," "The Nightingale," "The Snow Queen," "The Ugly Duckling," "The Little Match Girl," and "Thumbelina." His stories have inspired ballets, plays, and animated and live-action films. One of Copenhagen's widest and busiest boulevards, skirting Copenhagen City Hall Square at the corner of which Andersen's larger-than-life bronze statue sits, is named "H.C. Andersens Boulevard."

Honoré de Balzac was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities.

Balzac suffered from health problems throughout his life, possibly due to his intense writing schedule. His relationship with his family was often strained by financial and personal drama, and he lost more than one friend over critical reviews. In 1850, Balzac married Ewelina Hańska, a Polish aristocrat and his longtime love; he died in Paris five months later.

IN very ancient times there lived in Thessaly a king and queen name Athamas and Nephele. They had two children, a boy and a girl. After a time Athamas grew indifferent to his wife, put her away, and took another. Nephele suspected danger to her children from the influence of the step-mother, and took measures to send them out of her reach. Mercury assisted her, and gave her a ram with a golden fleece, on which she set the two children, trusting that the ram would convey them to a place of safety. The ram vaulted into the air with the children on his back, taking his course to the East, till when crossing the strait that divides Europe and Asia, the girl, whose name was Helle, fell from his back into the sea, which from her was called the Hellespont — now the Dardanelles. The ram continued his career till he reached the kingdom of Colchis, on the eastern shore of the Black Sea, where he safely landed the boy Phryxus, who was hospitably received by Æetes, king of the country. Phryxus sacrificed the ram to Jupiter, and gave the Golden Fleece to Æetes, who placed it in a consecrated rove, under the care of a sleepless dragon.

There was another kingdom in Thessaly near to that of Athamas, and ruled over by a relative of his. The king Æson, being tired of the cares of government, surrendered his crown to his brother Pelias on condition that he should hold it only during the minority of Jason, the son of Æson. When Jason was grown up and came to demand the crown from his uncle, Pelias pretended to be willing to yield it, but at the same time suggested to the young man the glorious adventure of going in quest of the Golden Fleece, which it was well known was in the kingdom of Colchis, and was, as Pelias pretended, the rightful property of their family. Jason was pleased, with the thought and forthwith made preparations for the expedition. At that time the only species of navigation known to the Greeks consisted of small boats or canoes hollowed out from trunks of trees, so that when Jason employed Argus to build him a vessel capable of containing fifty men, it was considered a gigantic undertaking. It was accomplished, however, and the vessel named “Argo,” from the name of the builder. Jason sent his invitation to all the adventurous young men of Greece, and soon found himself at the head of a band of bold youths, many of whom afterwards were renowned among the heroes and demigods of Greece. Hercules, Theseus, Orpheus, and Nestor were among them. They are called the Argonauts, from the name of their vessel.

The “Argo” with her crew of heroes of Thessaly and having touched at the Island of Lemnos, thence crossed to Mysia and thence to Thrace. Here they found the sage Phineus, and from him received instruction as to their future course. It seems the entrance of the Euxine Sea was impeded by two small rocky islands, which floated on the surface, and in their tossings and heavings occasionally came together, crushing and grinding to atoms any object that might be caught between them. They were called the Symplegades, or Clashing Islands. Phineus instructed the Argonauts how to pass this dangerous strait. When they reached the islands they let go a dove, which took her way between the rocks, and passed in safety, only losing some feathers of her tail. Jason and his men seized the favourable moment of the rebound, plied their oars with vigour, and passed safe through, though the islands closed behind them, and actually grazed their stern. They now rowed along the shore till they arrived at the eastern end of the sea, and landed at the kingdom of Colchis.

Jason made known his message to the Colchian king, Æetes, who consented to give tip the golden fleece if Jason would yoke to the plough two fire-breathing bulls with brazen feet, and sow the teeth of the dragon which Cadmus had slain, and from which it was well known that a crop of armed men would spring up, who would turn their weapons against their producer. Jason accepted the conditions, and a time was set for making the experiment. Previously, however, he found means to plead his cause to Medea, daughter of the king. He promised her marriage, and as they stood before the altar of Hecate, called the goddess to witness his oath. Medea yielded, and by her aid, for she was a potent sorceress, he was furnished with a charm, by which he could encounter safely the breath of the fire-breathing bulls and the weapons of the armed men.

At the time appointed, the people assembled at the grove of Mars, and the king assumed his royal seat, while the multitude covered the hill-sides. The brazen-footed bulls rushed in, breathing fire from their nostrils that burned up the herbage as they passed. The sound was like the roar of a furnace, and the smoke like that of water upon quick-lime. Jason advanced boldly to meet them. His friends, the chosen heroes of Greece, trembled to behold him. Regardless of the burning breath, he soothed their rage with his voice, patted their necks with fearless hand, and adroitly slipped over them the yoke, and compelled them to drag the plough. The Colchians were amazed; the Greeks shouted for joy. Jason next proceeded to sow the dragon’s teeth and plough them in. And soon the crop of armed men sprang up, and, wonderful to relate! no sooner had they reached the surface than they began to brandish their weapons and rush upon Jason. The Greeks trembled for their hero, and even she who had provided him a way of safety and taught him how to use it, Medea herself, grew pale with fear. Jason for a time kept his assailants at bay with his sword and shield, till, finding their numbers overwhelming, he resorted to the charm which Medea had taught him, seized a stone and threw it in the midst of his foes. They immediately turned their arms against one another, and soon there was not one of the dragon’s brood left alive. The Greeks embraced their hero, and Medea, if she dared, would have embraced him too.

It remained to lull to sleep the dragon that guarded the fleece, and this was done by scattering over him a few drops of a preparation which Medea had supplied. At the smell he relaxed his rage, stood for a moment motionless, then shut those great round eyes, that had never been known to shut before, and turned over on his side, fast asleep. Jason seized the fleece and with his friends and Medea accompanying, hastened to their vessel before Æetes the king could arrest their departure, and made the best of their way back to Thessaly, where they arrived safe, and Jason delivered the fleece to Pelias, and dedicated the “Argo” to Neptune. What became of the fleece afterwards we do not know, but perhaps it was found after all, like many other golden prizes, not worth the trouble it had cost to procure it.

This is one of those mythological tales, says a late writer, in which there is reason to believe that a substratum of truth exists, though overlaid by a mass of fiction. It probably was the first important maritime expedition, and like the first attempts of the kind of all nations, as we know from history, was probably of a half-piratical character. If rich spoils were the result it was enough to give rise to the idea of the golden fleece.

Another suggestion of a learned mythologist, Bryant, is that it is a corrupt tradition of the story of Noah and the ark. The name “Argo” seems to countenance this, and the incident of the dove is another confirmation.

Pope, in his “Ode on St. Cecilia’s Day,” thus celebrates the launching of the ship “Argo,” and the power of the music of Orpheus, whom he calls the Thracian:

“So when the first bold vessel dared the seas,

High on the stern the Thracian raised his strain,

While Argo saw her kindred trees

Descend from Pelion to the main.

Transported demigods stood round,

And men grew heroes at the sound.”

In Dyer’s poem of “The Fleece” there is an account of the ship “Argo” and her crew, which gives a good picture of this primitive maritime adventure:

“From every region of Ægea’s shore

The brave assembled; those illustrious twins

Castor and Pollux; Orpheus, tuneful bard;

Zetes and Calais, as the wind in speed;

Strong Hercules and many a chief renowned.

On deep Ioclos’ sandy shore they thronged,

Gleaming in armour, ardent of exploits;

And soon, the laurel cord and the huge stone

Uplifting to the deck, unmoored the bark;

Whose keel of wondrous length the skilful hand

Of Argus fashioned for the proud attempt;

And in the extended keel a lofty mast

Upraised, and sails full swelling; to the chiefs

Unwonted objects. Now first, now they learned

Their bolder steerage over ocean wave,

Led by the golden stars, as Chiron’s art

Had marked the sphere celestial,” etc.

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The Golden Fleece